The Price Of Jonathan Toews's Rookie Card

To start on a millennial theatrical technique and develop new artistic tools and / or pedagogical.
Workshops for youth and adults (actors, storytellers, dancers, puppeteers, film director, teachers, etc.) With or without theater experience.

This technique allows us to rediscover ancient theater something we already know, from the beginning of time man plays with his shadow. It allows us to get excited again before our shadow, learning to create poetry with a light source, to make life amazing characters with cardboard and sticks. Shadow play together puppetry techniques of cinema and theater actors or dance to develop physical accuracy, manipulation of objects and lights and drama of the image.

WORKSHOP 1
SHADOWS THEATRE of
Shadows body, light management, everyday objects, tranparent, mirrors, research with the screen.
Hours: Monday 22, Tuesday 23 and Wednesday 24 September from 6 to 9 pm.
Cost: 60 soles
Dicta: Marie-Eve Lefebvre
Requirements: work clothes, a flashlight.

WORKSHOP 2
SHADOW PUPPETS of
Handling and shadow puppets making, construction of scenery.
Hours: Monday 29 September and Wednesday 1 October 6-9 pm.
Cost: 40 soles
D ICTA: Helijalder Capristano
Requirements: duplex cardboard, scissors, sticks, skewers, paper tape, colored cellophane.

Price for both workshops: 85 soles

Vacancies
Limited Open Enrollment
the Association of Amateur Artists
Jr. Ica 323 Lima Cercado Municipal Theatre
side next to the Teatro Municipal

Reports
428-0432
aaaasociacion@yahoo.com
visit http://aaalima.blogspot.com

Article of The Republic on the establishment of the group last
http:/ / www.larepublica.com.pe/content/view/238281/28/
Trade
article on last workshop
http://www.elcomercio.com.pe/edicionimpresa/Html/2008- 06-01/los-multiples-usos-sombras.html

About teachers

Formed in education theater at the University of Quebec at Montreal Marie-Eve Lefebvre arrives in Peru in 2005 to participate in an exchange with the theater group The Long March of muñecones. Developing the art of shadow play, has given workshops at various locations in Lima (ENSAD, FITEC, Association of amateur artists, FIAE, Yuyachkani) and outside (La Paz, Bolivia, and Buenos Aires-Argentina). Complements its artistic and pedagogical training workshops and Bolaroja Yuyachkani, especially in clown and shadow theater in Buenos Aires. Currently, he is a professor, a member of the cast Bolaroja and doctors' noses and breeches Las Marias, "directed by Wendy Ramos assembly.

Formed in acting technique in The Long March of Muñecones, Flores Capristano Helijalder develops skills in street theater, muñecones management and visual arts. Complements their training in performing puppets, at the Teatro General San Martin of Buenos Aires and shadow play, with Gabriel Fernandez at the puppet museum in Buenos Aires. Teaching in different workshops for children and adults (stilts, masks, circus, etc..) Specializes as a director dictating shadow puppet workshops for adults in Bolivia and Lima in the Association of Amateur Artists. Now part of a process of artistic creation The machine with the group led by Ricardo Santa Cruz.

Gaillard Clement photographs and Kaliski Sayandro

Shrinking A North Face Jacket

(WORKSHOP PROGRAMME OF ACTION)

INITIATION:

Summary of contents:

Games theater. Clown exercises which aim to encourage group integration, physical and vocal disinhibition, and confidence to oneself and others. / Relaxation. active Relaxation to promote the availability, openness and emotional delivery of the student. / Imagination. Recreation imaginary realities through the senses. Development of a poetic look real. Finding a sense of truth within the imaginary world. / Creativity. improvisations created from a conflict close to the experiences of the student. Character creation. Improvisation from the characters. / Adaptation. sensitive and sensory perception of the other. Discovery pulse and the other's response to that impulse. Imagination in pairs. Relationship with the other. Types of relationships. / Expression. Search expressive channels from the experiences and impressions of each student. Discovery of the images and sensory and sensitive actions. Developed sense of observation to broaden the spectrum of such images. Development of intuition as a guiding principle of the dramatic action. Development commencement exercises in Dance and Music with the goal of bringing the expression to the body and voice.
-up:
a. Days of exchange between all students.
.
TRAINING:

Summary of contents:
Performance Training. Exercises from various acting techniques whose goal is to provide tools to expand the possibilities and the expressive spectrum of each student. / body and vocal training. Exercises Body language and vocal with the aim of developing and creativity availability both physical and encourage the use of the body as an instrument for the construction of theatricality. / Text. Using dramatic structure as a starting point for creative research. Improvisation on the line of action of a scene. Transit as a dramatic text. Analysis and understanding of texts of different styles. Making scenes. Appropriation and embodiment of the imaginary worlds that each proposed text. / Creating scenes. From different starting points: the textual, audio, visual and body workshop intends to develop procedures for the construction of scenes in different styles.
-up.
a. Days of exchange between all students.
.
SPECIAL SEMINARS:

special seminars are intended primarily to enable the student to continue his training from various training techniques and disciplines to provide new tools for its development as an actor - operator.

During the first quarter of 2011, will be given a Training Clown, by Irene Sexer. E l

clown training is a rewarding theatrical experience that can overcome the fear of ridicule and exposure, to recover the spontaneity and the ability to play from very simple things. The idea of \u200b\u200bthe workshop is that you can reacquaint yourself with your own game and learn to share with the public. To entertain others, we first have to entertain ourselves. From various proposals, we can go dodging layers and thus bring back the pleasure of being more spontaneous. The course aims to introduce participants to the world of clowns and their codes, and mainly in the stage game. To convey truth and contact with the public I find my own truth, my own vulnerability.

Business Loan Qualifications

(TEACHING ASSISTANT)

SEXER IRENE (Clown): has extensive training in clowning, drama and musical comedy. In clown was formed with teachers Marcelo Katz, Rachel and Gabriel Chame Buendia Sokolowicz. In acting school did Alejandra Boero and trained in the last time with Alejandro Catalán. He also studied singing with Jana Purita, Celina dance and Gabriela Prado Lapacó Goldin, and current school teachers musical comedy with Carlos Gianni, Mariano Moruja and Jamie Goldberg. Worked in the works "The History of an exaggerated love" directed by Leo They say, with which in 2002 won an award for best actress in the context of children's theater festival in Necochea, in the book "Ham of the devil" to address Claudio Tolcachir and the cycle "Alone" directed by Alejandro Catalan. For 8 years the company was part of Clun, directed by Marcelo Katz, participating in the plays "Allegro ma non troppo," for which she was nominated in 2003 for best actress for World Theatre Awards, in "Elemental" , in "William Tell" and "deluded." The mentioned works were presented in different rooms of the city of Buenos Aires, like the Teatro Nacional Cervantes Cultural Center of the partnership, the San Martín Cultural Centre, Cultural City Gate Konex and Sanchez. During November 2008 performs four functions of his one-man "Dear Martha" directed by Paula Etchebehere, Room anserine. "Dear Martha" participated in the tenth edition of Blue Fall Festival in June 2009. There she awarded as the best show, best direction and best performance, as well as the best action chosen by the public. Department participated well during July 2009-person cycle performed in the Teatro Leopoldo Marechal Municipal de Santa Fe is currently in the lineup, the goose leg room. In film premiered in September 2008 the movie "Reasons for not falling in love" with direction by Mariano Mucci and film production Bd. 8 years ago also serves as a teacher of clown and children's musical comedy. He has worked in the school of Gabi Goldberg, Paula Etchebehere study at the Institute Sarmiento and Clown School for boys who directs Marcelo Katz. Currently he teaches adult clown. Since September 2008 is part of the NGO "intense joy" where he serves as artistic director. "Intense joy" has the clown in hospitals. Right now develops its work in the Hospital Garrahan.

MARIANA LEVY (Action / Drama): formed in acting and directing with Augusto Fernandes and Mauricio drama with Kartun, Lautaro Vilo and Ricardo Halak . Also she studied Literature at the University of Buenos Aires and took courses with Paco Giménez, Nora Moseinco and HB Studio in New York.

worked in theater as an actress in water miracles, directed by William Ghio, racquetball, directed by Ezequiel Tronconi and life span, and directed by Julio Lascano.

film connived in silence, directed by Stefano Incerti, cut starred, directed by Sebastián De Caro, Olga, Victoria, Olga, directed by Mercedes Farriols; Director's Cut, directed by Hernán Findling and holidays Earth, directed by Sebastián De Caro.

worked in television in Tales from Argentina, a cut, for each and Sushi with champagne.

As director and playwright Missile Children held in 2008 and 2009 (www.misilchildren.blogspot.com)

currently pursuing a career dramaturgy at the ADEM, is part of Omega-research group for Philosophy and drama, and is a contributor to the magazine Siamese.

RAQUEL AMERI (physical and vocal training): actress, clown and dancer, disciple of Guillermo Angelelli. 14 years 20 years acting and dance, with teachers like Laura Yusem, Alejandro Catalán, Ricardo Bartis and dance Fredy Romero, Rita Caride, David Lady, Mey Lin Bisogno, Ana Frenkel. Acting experience in theater and as a teacher of physical and vocal training for actors. His latest work as an actress is "WOMEN IN THE BATHROOM" Mariela Asensio, functions currently carried out in the Piccadilly Theatre.

FOLINI ALINA (Dancer / Body Training): is part of the group with whom dance in their own research work based on real-time improvisation, creating and playing different parts in the CC Borges, CC Sabato and Cooperation Division of the Rosary. This project has been subsidized by Prodanza 2010. Directs the project in time there is only room for me - a temporary and mobile research. It also proposes a structure of thought and action in dance, with a mobile nature and current, Therefore, allowing the dialogue with other artists. She is the creator and member of Pasto, platform creation, research, production and management of artists. He recently participated as a dancer in the Stream Homes for Composers and Choreographers "at the Center for Experimental Theatre Columbus (CETC). "Karo Vertical" directed by Gabily Anadón at the Teatro Alvear. "Fermez Labouche" directed by Mariana Bellotto in The Cube Space Theatre. And as an actress in "Goblet in arm" in the CC Julio Molina Rojas, among others. Synesthesia integrated cycle in its latest edition - November and December 2008 / September 2009 - improvised sets of movement, music and image in real time, with musicians and visual artists - Pablo Veron, Dina Roisman, Jorge Grela, Milena Pafundi - at the Metropolitan Museum, Space Giesso Urania, Ricardo Rojas Cultural Center and Cultural Center MOCA . He worked as assistant director on "Lucky", Marcelo Savignone. Also was in charge of physical training in two of his intensive seminars: Jester and Assembly Laboratory. Collaborated artistically and attended the direction of "The Betrothed del Campo, Gerardo Naumann short film premiered at the Bafici 2009. Since 2006 he teaches regular physical training in dance and improvisation - Technical Body Holographic - independendientes studies of the city of Buenos Aires. Co-directed with John Coulasso Action Workshop, Creation and Assembly for advanced students in the Theatre Muererío. He has worked as a fitness of different theater groups in the city of Buenos Aires. She was invited to participate in the Exchange Conference Antroporteño Manifesto. Debi believes in working together and making attempts a way of life. Seeks to share and enjoy free events. Web: http://alinafolini.blogspot.com

GABRIELA FIORENTINI (Dancer / Teacher): Advanced Student Teaching in Dance Arts with a major in Body Language in the National Institute of Arts (IUNA) Department of Movement Arts. Formed in the race with Susana Gonzalez, Ada and Daniel Benedict Cuculiansky Corporal Expression, to Josephine Sanchez Estela Feldenkrais, with Alexander Odesky in Eutony with Cristina Turdo in Contact and Liliana Sujoy in Modern Dance. Tango studied: Alexander and Rosalie Barrientos, and Mario Bravo, Dance Gerardo Litvak contemporary, acrobatics (trapeze and ring) with Paula Palomo and Clown with Pablo De Nito. She currently works as a performer in the show (my) ", directed by John Coulasso and Daniela Cuculiansky. In 2009 participated in the conference "Antroporteño / Antrotrueque" in conjunction with other professionals in the performing arts. Expression has taught child and adolescent body, Community Center Joseph C. Peace.

ANAHI RIBEIRO (Action / Bioenergetics for actors): Actress. Graduate Training Workshop Actoral Alezzo Augustine. Formed with: Lizardo Laphitz, Susana Yasan (Training Actoral BA), and Vanina Jaquier Omar Grossi (Clown), Claudia Moileón (vocals), Dennis Smith (Song), Daniela Cucucliansky (Body Language), Lola Arias (Drama), Juan José Jusid (Workshop acting in film direction) and Augusto Fernández (workshop address). Participated in the Seminar on "Stanislavsky Technique" headed by Anatoly Nemov, director of the acting chair of the University of Art and Culture in Moscow. On stage, she joined the cast of "This love is a party "(Agustin Muñoz / Dir: Mariela Asensio) in CCRRojas. Other works: "Bristol" (Dir: Juan Coulasso), "Criminal" (Javier Daulte / Dir: Florence Bendersky).

http://www.anahiribeiro.blogspot.com/

IGNACIO Bresso (Actor / Teacher): began his training in school, "Theater Games" by Ana Lascano and the "Casona del Teatro", then for 4 consecutive years trained with Julio Chavez. Courses and seminars conducted in parallel with Alejandro Catalán and Mariela Asensio, among others. During 2008 and 2009 he traveled to the United States where he made the theater conservatory at Stella Adler's Studio "(New York).
As a teacher he taught for children and adolescents in school, "Theater Games," he replaced in the musical theater company IUNA (director Ricky Pashkus) and "acting Valeria Grossi Institute." currently teaches at the training center play "Silver River" by Hugo Midon, at the School of Julio Bocca "and institute" Juan Coulasso.
worked in theater as an actor in several shows: "Filomena Marturano" (Multiteatro, 2005 to 2007), "Escape from Happiness" (Stella Adler's Theatre, 2009), "Crazy Stories" (Hall Theatre , 2004), "Everything in twos" (Teatro Margarita Xirgu, 2002 to 2004) and "El Recreo" (UPB Auditorium, 2001-2002). Also carried out various interests in Television and Film. He is currently representing "A world of Cyrano," directed by Manuel Gonzalez Gil, in the Municipal Theatre Colon in Mar del Plata. Ignacio is also a psychologist.

How To Hang A Screech Owl Box

(CURRICULUM JUAN COULASSO)

[John Coulasso an actor, teacher and director of Theatre]

- was formed in the area of \u200b\u200boperation since 1994 with Alezzo Augustine, Julio Chavez, Ricardo Bartís, Lizardo Laphitz, Guillermo Angellelli, John Strasberg, Orlando Acosta, Miguel Pittier and Nora Moseinco. Clown also performed with Grossi and Maby Vanina Salerno, vocal training Silvina Fernandez, Angela Ragno, Rosa Maria Gonzalez, Elizabeth Beard and Ricardo Suarez, Daniela Cuculiansky workouts, Julio Cesar Torres (Kung Fu), Raquel Ameri, Javier Medina, Adele Taormina (Flamenco), Eduardo Cussatti (Kung Fu) and Andrea Martinez (Yoga - Ashtanga) and drama with Cecilia Propato. At the academic level, he worked in the career of Film Direction at the CIEVYC and is run by the BA in Psychology at the University of Buenos Aires.
- As director, made "(my)" / www.aydemi.wordpress.com sponsored by Proteatro and FNA, in co-management with Daniela Cuculiansky, with a cast consisting of actors and dancers, in 2009 and 2010 in the Castorera and IMPA. She also performed in 2009, the second season of "Good morning, miserable" working end of the workshop Assembly that passed in 2008 with advanced students. It was organized by the Cultural Center Adam Buenosayres to direct a production with young actors who were tested in 2008 under the title of "smoke (test on digital happiness)." He also led from 2005 until 2008 the company Other / Garden, whose last production was "Bristol", inspired by concepts of Sigmund Freud, released in July 2007 at the Teatro del Viejo Palermo, POTEATRO sponsored by the FNA and the German Embassy. The show took part in the Festival Theatre More Santiago, produced in Chile in January 2008 and held in Buenos Airs its second season from March to July 2008. With the same group, performed "So spend five years" by Federico García Lorca, sponsored by the Embassy of Spain and the Fondo de Cultura BA, Adam Cultural Center Theater Buenosayres and Palermo Viejo in 2006 and "Death "Woody Allen, experimental work in the study scheduled Alezzo Augustine in 2004. He was also convened in 2007 through the Cultural Department of the Regional Project ARAUCARIA XXI, articulated by the English International Cooperation Agency (AECI), for a comprehensive set produced Aboriginal Theatre Guarani of the surrounding areas to Iguazu National Park.
- As a teacher of acting, exercises since 2002 at the Centro Cultural Ricardo Rojas and the Recoleta Cultural Center. Since 2005 he teaches in a particular way of action for students beginning, intermediate and advanced. He has conducted workshops in conjunction with various professionals from different artistic disciplines: Mariano Saba (Acting), Raquel Ameri (physical and vocal training), Mariana Levy, Vanina Grossi (Clown) and Anahi Ribeiro (Bioenergetica for actors). In 2008 he worked as an assistant professor of art "Directing Workshop 1", by Alejandro Casavalle at the University of Palermo and he taught "Acting in front of cameras" in the matter "Television I" by Gustavo Pezzucchi in the career of "Higher Technician in sports journalism" at the Centre for Tertiary River Plate , directed by Gonzalo Bonadeo. With students' Workshop Assembly and Creation "made" MF "in 2007," Good morning, miserable "in 2008 and 2009," We have become strangers, "in 2009.
- As an actor, worked within the National Theatre Group Buenos Aires (1995-2002) made several shows, among which are: "The pit" by Sergio De Cecco at the Teatro de La Ribera, "El Duende" on texts by Federico Garcia Lorca at the Centro Cultural Borges, Villa Victoria Ocampo, Mar del Plata, the thirteen faculties of the University of Buenos Aires, the Teatro Argentino de La Plata and Paseo La Plaza, "Babylon" at the Teatro Armando Discépolo Auditorium de Mar del Plata and the Centro Cultural Borges, "The Follow" by Carlos Gorostiza (where he won the "Best Actor" Competition organized by the newspaper "The Nation") and "The Health of the Sick" by Julio Cortazar.
- Performed assists direction of " collection "and" other areas ", directed by Agustín Alezzo (2003-2004)," Features ...", directed by Carolina Adamovsky for the VI International Festival of Buenos Aires (2007) and collaborated creatively with "Pornodrama II" directed by Alejandro Casavalle (2007 - 2008).
- Performed actors Division 3-thesis students CIEVYC late and is now part of the audiovisual project "Delivery Drama, produced by Julie Steinberg.
- also worked in cultural production and management in the Recoleta Cultural Center for "Teatroxlaidentidad", the "IV Festival Internacional de Teatro de Buenos Aires" the "Second International Contemporary Dance Festival", "Xibalba" William Angellelli, "Angelito pena" de Julio Chavez, "and Malibu Secret" by Diana Szeinblum and "Villa Villa" from De La Guarda and others (2000 - 2002 .) In 2006 he participated in the artistic production of "Antroporteño: first days of study and exchange of theatrical training in Buenos Aires from the perspective of the student" and collaborated in the organization the size of "Antroporteño, publishing the article:" creating mergers. " It also coordinates since 2008, together with Diego Amaya Braude and Lainez Le Dean: "Manifesto Antroporteño" exchange project between the performing arts professionals ( www.manifiestoantroportenio.wordpress.com ). He was also part of the committee that organizes and promotes activities THEATRE GROUP ( www.colectivoteatral.com.ar ). In 2008, he published "Bristol, and landscapes on the 'drang'", at the request of the website on psychoanalysis http://www.elsigma.com/. Currently writing a section on teaching theater in magazine Decadent Assembly. "